John Donne was born into a Catholic
family in 1572, during a strong anti-Catholic period in England. Donne’s
father, also named John, was a prosperous London merchant. His mother,
Elizabeth Heywood, was the grand-niece of Catholic martyr Thomas More. Religion
would play a tumultuous and passionate role in John’s life.
Donne’s
father died in 1576, and his mother remarried a wealthy widower. He entered
Oxford University at age 11 and later the University of Cambridge, but never
received degrees, due to his Catholicism. At age 20, Donne began studying law
at Lincoln’s Inn and seemed destined for a legal or diplomatic career. During
the 1590s, he spent much of his inheritance on women, books and travel. He
wrote most of his love lyrics and erotic poems during this time. His first
books of poems, “Satires” and “Songs and Sonnets,” were highly prized among a
small group of admirers.
In
1593, John Donne’s brother, Henry, was convicted of Catholic sympathies and
died in prison soon after. The incident led John to question his Catholic faith
and inspired some of his best writing on religion. At age 25, Donne was
appointed private secretary to Sir Thomas Egerton, Lord Keeper of the Great
Seal of England.
On
his way to a promising career, John Donne became a Member of Parliament in
1601. That same year, he married 16-year-old Anne More, the niece of Sir
Egerton. Both Lord Egerton and Anne’s father, George More, strongly disapproved
of the marriage, and, as punishment, More did not provide a dowry. Lord Egerton
fired Donne and had him imprisoned for a short time. The eight years following
Donne’s release would be a struggle for the married couple until Anne’s father
finally paid her dowry.
In
1610, John Donne published his anti-Catholic polemic “Pseudo-Martyr,”
renouncing his faith. In it, he proposed the argument that Roman Catholics
could support James I without compromising their religious loyalty to the pope.
This won him the king’s favor and patronage from members of the House of Lords.
In 1615, Donne converted to Anglicanism and was appointed Royal Chaplain. His
elaborate metaphors, religious symbolism and flair for drama soon established
him as a great preacher.
In
1617, John Donne’s wife died shortly after giving birth to their 12th child.
The time for writing love poems was over, and Donne devoted his energies to
more religious subjects. In 1621, Donne became dean of St. Paul’s Cathedral.
During a period of severe illness, he wrote “Devotions upon Emergent
Occasions,” published in 1624. This work contains the immortal lines “No man is
an island” and “never send to know for whom the bell tolls, it tolls for thee.”
That same year, Donne was appointed Vicar of St. Dunstan’s-in-the-West and
became known for his eloquent sermons.
As
John Donne’s health continued to fail him, he became obsessed with death.
Shortly before he died, he delivered a pre-funeral sermon, “Death’s Duel.” His
writing was charismatic and inventive. His compelling examination of the mortal
paradox influenced English poets for generations. Donne’s work fell out of
favor for a time, but was revived in the 20th century by high-profile admirers
such as T.S. Eliot and William Butler Yeats
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